{"id":31748,"date":"2021-03-12T08:03:05","date_gmt":"2021-03-12T08:03:05","guid":{"rendered":"http:\/\/www.jornalexemplo.com.br\/jornal\/?p=31748"},"modified":"2021-03-11T20:08:44","modified_gmt":"2021-03-11T20:08:44","slug":"principal-premio-do-cinema-britanico","status":"publish","type":"post","link":"http:\/\/www.jornalexemplo.com.br\/jornal\/principal-premio-do-cinema-britanico\/","title":{"rendered":"Principal pr\u00eamio do cinema brit\u00e2nico"},"content":{"rendered":"

 <\/p>\n

\u2018Meu pai\u2019, \u2018The Mauritanian\u2019, \u2018Nomadland\u2019, \u2018Bela vingan\u00e7a\u2019 e \u2018Os 7 de Chicago\u2019 concorrem a melhor filme<\/strong><\/p>\n

A Academia Brit\u00e2nica de Artes de Cinema e Televis\u00e3o anunciou os indicados ao Bafta 2021 na ter\u00e7a-feira (9).<\/p>\n

\u2018Nomadland\u2019 e \u2018Rocks\u2019 lideram o ranking de indica\u00e7\u00f5es com sete cada. Na sequ\u00eancia, aparecem \u2018Meu Pai\u2019, \u2018Mank\u2019, \u2018Minari\u2019 e \u2018Bela Vingan\u00e7a\u2019 com seis cada. \u2018The Dig\u2019 e \u2018The Mauritanian\u2019 tiveram cinco indica\u00e7\u00f5es.<\/p>\n

\u2018Meu Pai\u2019, \u2018The Mauritanian\u2019, \u2018Nomadland\u2019, \u2018Bela vingan\u00e7a\u2019 e \u2018Os 7 de Chicago\u2019 concorrem a melhor filme. Assim como o pr\u00eamio dos Sindicatos dos Produtores, o Bafta \u00e9 um dos term\u00f4metros para o Oscar.<\/p>\n

A premia\u00e7\u00e3o, principal do cinema brit\u00e2nico, estava prevista para 14 de fevereiro, mas foi adiada para 11 de abril por causa da pandemia da Covid-19.<\/p>\n

Diferente do favorito \u2018Nomadland\u2019, \u2018Rocks\u2019 ainda n\u00e3o havia tido destaque no Globo de Ouro ou no Sindicato de Produtores.<\/p>\n

O longa mostra a hist\u00f3ria de Shola \u2018Rocks\u2019, uma adolescente cheia de planos, que precisa cuidar de seu irm\u00e3o depois de eles serem abandonados pela m\u00e3e.<\/p>\n

Veja lista com indicados ao Bafta 2021:<\/strong><\/p>\n

Melhor filme<\/strong>
\n\u2018Meu pai\u2019
\n\u2018The Mauritanian\u2019
\n\u2018Nomadland\u2019
\n\u2018Bela vingan\u00e7a\u2019
\n\u2018Os 7 de Chicago\u2019<\/p>\n

Melhor filme brit\u00e2nico<\/strong>
\n\u2018Calm with Horses\u2019
\n\u2018Meu Pai\u2019
\n\u2018The Dig\u2019
\n\u2018O que Ficou para Tr\u00e1s\u2019
\n\u2018Limbo\u2019
\n\u2018The Mauritanian\u2019
\n\u2018Mogul Mowgli\u2019
\n\u2018Bela Vingan\u00e7a\u2019
\n\u2018Rocks\u2019
\n\u2018Saint Maud\u2019<\/p>\n

Melhor filme de l\u00edngua<\/strong>
\nn\u00e3o inglesa
\n\u2018Druk – Mais uma Rodada\u2019 – Thomas Vinterberg, Sisse Graum J\u00f8rgensen
\n\u2018Dear Comrades!\u2019 – Andrei Konchalovsky, Alisher Usmanov
\n\u2018Les Mis\u00e9rables\u2019 – Ladj Ly
\n\u2018Minari\u2019 – Lee Isaac Chung, Christina Oh
\n\u2018Quo Vadis, Aida?\u2019 – Jasmila \u017dbani, Damir Ibrahimovich<\/p>\n

Melhor anima\u00e7\u00e3o<\/strong>
\n\u2018Dois Irm\u00e3os\u2019
\n\u2018Soul\u2019
\n\u2018Wolfwalkers\u2019<\/p>\n

Melhor diretor<\/strong>
\n\u2018Druk – Mais uma Rodada\u2019 – Thomas Vinterberg
\n\u2018Babyteeth\u2019- Shannon Murphy
\n\u2018Minari\u2019 – Lee Isaac Chung
\n\u2018Nomadland\u2019 – Chlo\u00e9 Zhao
\n\u2018Quo Vadis, Aida?\u2019 – Jasmila \u017dbani
\n\u2018Rocks\u2019 – Sarah Gavron<\/p>\n

Melhor roteiro original<\/strong>
\n\u2018Druk – Mais uma Rodada\u2019 – Tobias Lindholm, Thomas Vinterberg
\n\u2018Mank\u2019 – Jack Fincher
\n\u2018Bela Vingan\u00e7a\u2019 – Emerald Fennell
\n\u2018Rocks\u2019 – Theresa Ikoko, Claire Wilson
\n\u2018Os 7 de Chicago\u2019 – Aaron Sorkin<\/p>\n

Melhor roteiro adaptado<\/strong>
\n\u2018The Dig\u2019 – Moira Buffini
\n\u2018Meu Pai\u2019 – Christopher Hampton, Florian Zeller
\n\u2018The Mauritanian\u2019 – Rory Haines, Sohrab Noshirvani, M.B. Traven
\n\u2018Nomadland\u2019 – Chlo\u00e9 Zhao
\n\u2018O Tigre branco\u2019 – Ramin Bahrani<\/p>\n

Melhor atriz<\/strong>
\nVanessa Kirby – \u2018Pieces of a Woman\u2019
\nFrances McDormand – \u2018Nomadland\u2019
\nBukky Bakray – \u2018Rocks\u2019
\nRadha Blank – \u2018The Forty-Year-Old Version\u2019
\nWuhmi Mosaku – \u2018O que Ficou para Tr\u00e1s\u2019
\nAlfre Woodard – \u2018Clemency\u2019<\/p>\n

Melhor ator<\/strong>
\nRiz Ahmed – \u2018O Som do Sil\u00eancio\u2019
\nChadwick Boseman – \u2018A Voz Suprema do Blues\u2019
\nAnthony Hopkins – \u2018Meu Pai\u2019
\nTahar Rahim – \u2018The Mauritanian\u2019
\nAdarsh Gourav – \u2018O Tigre Branco\u2019
\nMads Mikkelsen – \u2018Druk – Mais uma Rodada\u2019<\/p>\n

Melhor atriz coadjuvante<\/strong>
\nMaria Bakalova – \u2018Borat: Fita de Cinema Seguinte\u2019
\nYoun Yuh-jung – \u2018Minari\u2019
\nNiamh Algar – \u2018Calm with Horses\u2019
\nKosar Ali – \u2018Rocks\u2019
\nAshley Madekwe – \u2018County Lines\u2019
\nDominique Fishback – \u2018Judas e o Messias Negro\u2019<\/p>\n

Melhor ator coadjuvante<\/strong>
\nDaniel Kaluuya – \u2018Judas e o Messias Negro\u2019
\nBarry Keoghan – \u2018Calm with Houses\u2019
\nAlan Kim – \u2018Minari\u2019
\nLeslie Odom Jr. – \u2018Uma Noite em Miami\u2019
\nClarke Peters – \u2018Destacamento Blood\u2019
\nPaul Raci – \u2018O Som do Sil\u00eancio\u2019<\/p>\n

Melhor elenco<\/strong>
\n\u2018Judas e o Messias Negro\u2019
\n\u2018Calm with Horses\u2019
\n\u2018Minari\u2019
\n\u2018Bela Vingan\u00e7a\u2019
\n\u2018Rocks\u2019<\/p>\n

Melhor document\u00e1rio<\/strong>
\n\u2018Collective\u2019
\n\u2018David Attenborough e Nosso Planeta\u2019
\n\u2018The Dissident\u2019
\n\u2018Professor Polvo\u2019
\n\u2018O Dilema das Redes\u2019<\/p>\n

Melhor anima\u00e7\u00e3o<\/strong>
\n\u2018Soul\u2019
\n\u2018Os Irm\u00e3os Willoughby\u2019
\n\u2018Wolfwalkers\u2019
\nMelhor trilha sonora
\n\u2018Mank\u2019
\n\u2018Minari\u2019
\n\u2018Relatos do Mundo\u2019
\n\u2018Bela Vingan\u00e7a\u2019
\n\u2018Soul\u2019<\/p>\n

Melhor fotografia<\/strong>
\n\u2018Mank\u2019
\n\u2018Relatos do Mundo\u2019
\n\u2018Nomadland\u2019
\n\u2018The Mauritanian\u2019
\n\u2018Judas e o Messias Negro\u2019<\/p>\n

Melhor montagem<\/strong>
\n\u2018Meu Pai\u2019
\n\u2018Nomadland\u2019
\n\u2018Bela Vingan\u00e7a\u2019
\n\u2018O Som do Sil\u00eancio\u2019
\n\u2018Os 7 de Chicago\u2019<\/p>\n

Melhor design de produ\u00e7\u00e3o<\/strong>
\n\u2018A Escava\u00e7\u00e3o\u2019
\n\u2018Meu Pai\u2019
\n\u2018Mank\u2019
\n\u2018Rebecca – A Mulher Inesquec\u00edvel\u2019
\n\u2018Relatos do Mundo\u2019<\/p>\n

Melhor figurino<\/strong>
\n\u2018Ammonite\u2019
\n\u2018A Escava\u00e7\u00e3o\u2019
\n\u2018Emma\u2019
\n\u2018A Voz Suprema do Blues\u2019
\n\u2018Mank\u2019<\/p>\n

Melhor cabelo e maquiagem<\/strong>
\n\u2018Era uma Vez um Sonho\u2019
\n\u2018A Voz Suprema do Blues\u2019
\n\u2018A Escava\u00e7\u00e3o\u2019
\n\u2018Pin\u00f3quio\u2019
\n\u2018Mank\u2019<\/p>\n

Melhor som<\/strong>
\n\u2018Greyhound\u2019
\n\u2018Nomadland\u2019
\n\u2018Relatos do Mundo\u2019
\n\u2018O Som do Sil\u00eancio\u2019
\n\u2018Soul\u2019<\/p>\n

Melhores efeitos especiais<\/strong>
\n\u2018Greyhound\u2019
\n\u2018Mulan\u2019
\n\u2018O C\u00e9u da Meia-Noite\u2019
\n\u2018O Grande Ivan\u2019
\n\u2018Tenet\u2019<\/p>\n

Melhor curta brit\u00e2nico <\/strong>
\nem anima\u00e7\u00e3o<\/strong>
\n\u2018The Fire Next Time\u2019
\n\u2018The Owl and the Pussycat\u2019
\n\u2018The Song of a Lost Boy\u2019<\/p>\n

Melhor curta brit\u00e2nico<\/strong>
\n\u2018Eyelash\u2019
\n\u2018Lucky Break\u2019
\n\u2018Lizard\u2019
\n\u2018Miss Curvy\u2019
\n\u2018The Present\u2019<\/p>\n

Melhor estreia de um <\/strong>
\nroteirista, diretor <\/strong>
\nou produtor brit\u00e2nico<\/strong>
\n\u2018His House\u2019
\n\u2018Moffie\u2019
\n\u2018Limbo\u2019
\n\u2018Rocks\u2019
\n\u2018Saint Maud\u2019<\/p>\n","protected":false},"excerpt":{"rendered":"

  \u2018Meu pai\u2019, \u2018The Mauritanian\u2019, \u2018Nomadland\u2019, \u2018Bela vingan\u00e7a\u2019 e \u2018Os 7 de Chicago\u2019 concorrem a melhor filme A Academia Brit\u00e2nica de Artes de Cinema e Televis\u00e3o anunciou os indicados ao Bafta 2021 na ter\u00e7a-feira (9). \u2018Nomadland\u2019 e \u2018Rocks\u2019 lideram o ranking de indica\u00e7\u00f5es com sete cada. Na sequ\u00eancia, aparecem \u2018Meu Pai\u2019, \u2018Mank\u2019, \u2018Minari\u2019 e \u2018Bela …<\/p>\n","protected":false},"author":34,"featured_media":31749,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14,16],"tags":[6215,6214],"_links":{"self":[{"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/posts\/31748"}],"collection":[{"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/comments?post=31748"}],"version-history":[{"count":1,"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/posts\/31748\/revisions"}],"predecessor-version":[{"id":31750,"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/posts\/31748\/revisions\/31750"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/media\/31749"}],"wp:attachment":[{"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/media?parent=31748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/categories?post=31748"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jornalexemplo.com.br\/jornal\/wp-json\/wp\/v2\/tags?post=31748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}